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New `Outlander` Q+A
New `Outlander` Q+A 11/04/2017
Andrei Austin and Ossie MacLean with Jamie Harcourt
ACO Newsletter
ACO Newsletter 08/04/2017
April 2017
Peter Cavaciuti
Peter Cavaciuti 03/04/2017
Outgoing President`s message
Film & Digital Times
Film & Digital Times 21/03/2017
Full & Associate Members access to F&DTimes
"Lost in London" 21/03/2017
John Hemborough on his epic Feature in London
Dubin/Haarhoff Q&A Video
Dubin/Haarhoff Q&A Video 08/03/2017
Mitch Dubin & Chris Haarhoff Talk Movies
Marc Bénoliel - Assoc.ACO
Marc Bénoliel - Assoc.ACO 06/03/2017
Anamorphics & a soccer fan`s dream job
ACO Newsletter
ACO Newsletter 05/03/2017
March 2017
Fujinon Lens Release
Fujinon Lens Release 22/02/2017
New `MK` Lens series anounced by Fujifilm
ACO Newsletter
ACO Newsletter 04/02/2017
February 2017
Forum on Diversity
Forum on Diversity 30/01/2017
By Madelyn Most at CamerImage
BVE Expo
BVE Expo 24/01/2017
BVE at Excel, London 28 Feb-2 March 2017

TESTIMONIAL from...  Peter Hannan ACS BSC
"I think it is an important job to keep going. It`s not just moving the handles, that`s the easy bit-it`s the storytelling."
TESTIMONIAL from...  Doug Liman, Director
"I`ve shot elsewhere in Europe, and my experience has been that when you need a specialist you fly someone in from England."
TESTIMONIAL from...  David Suchet CBE
"Actors, of course differ, but I find that a good operator is really important to me. "
TESTIMONIAL from...  Don Burgess ASC
"Its better for the film and production to have one person focused on operating and the other on the job of the DP. There is nothing more beautiful than a perfectly operated shot."
TESTIMONIAL from...  Wolfgang Suschitzky, Cinematographer
"`You can`t make a good film without a good operator.` (at Operators Night 2012, at the age of 100!)"
TESTIMONIAL from...  John Moore, Director
"Every director worth his salt believes his life depends on his telling the story properly: that`s why I put mine in the hands of the operator."
TESTIMONIAL from...  Alexander Witt Director/DoP
"Having my camera operator allows me the time and space to concentrate on the look of the scene. Schedule-related pressures mean that I am not detracted from lighting while my operator can deal with the mechanics of the shot."
TESTIMONIAL from...  Andy Wilson, Director
"In the end an Operator is the eye that sees what the camera sees and can point out mistakes or opportunities for improvement that nobody else notices. This is invaluable."
TESTIMONIAL from...  Joe Wright, Director
"I`ve worked with a camera operator on every production since my first feature film. I would certainly not want to work without one."
TESTIMONIAL from...  Shelly Johnson, ASC
"...great films are hand made by no one individual, but a talented group that bring their spirit to the screen."
TESTIMONIAL from...  Philippe Rousselot, AFC, ASC
"Operators are human, (most of them), therefore they come with experience, knowledge, and craftsmanship. They are part of the machine of filmmaking, its physical, as well as its thinking process."


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